review
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Depression, its difficulties and effects are a common theme for artists. As if the severity
of their incurable trouble needed its own expression. Or as if the burden of their talent cut
through their skin and forced the artist to materialize its heaviness. It's hard to say what
was first and uncover the causality between mood's disorder or depression and the art. Reading
through Virginia Woolf, Edgar Allan Poe or listening to Portishead evokes the idea that depression
and unusual gift for art come hand in hand. They stimulate to awesome results and then destroy
the artist.
Depression is the main theme of Daniel Thomas Freeman's debut album The Beauty Of Doubting Yourself.
Right from the beginning – even before hearing its first tones – the name shows the complicated
relationship between the illness and the patient. Freeman, who was suffering from strong depression
for many years, tries to find a beauty in his distress. On one side this may be a strange form of
dolorism, but I rather suspect that the name of his album expresses his effort to look back into
the years of the greatest suffering with detachment. As if he was saying that those times were hard,
almost impossible to live through, but the life was his very own and will never be substituted for
something better.
Elegy And Rapture (For Margaret) is the penultimate track on The Beauty Of Doubting Yourself and
its most straightforward. Freeman as a one third of ambient-drone outfit Rameses III is well-experienced
in compiling thick layers of heavy drone and layering abstract noises into the beds of classical samples.
Yet this composition is much more accessible and in one word: graceful. The initial murmur of a steady
strings' harmony induces peaceful atmosphere which is later evolved by a short fragment of a melody
played by a duo of violins. The pulse of the horn in the background along with the tender reverberated
guitar evoke the milder work of Canadian-born eclectic composer Kyle Bobby Dunn. The calm tranquility
of Elegy And Rapture (For Margaret) amazingly reflects its main message: Freeman's dedication to the
late years of his mother who died more than ten years ago. Even though this ten minutes long composition
is the most traditional piece on the entire album it's an experience of mysterious serenity and mournful
splendour. Still, The Beauty Of Doubting Yourself deserves your full attention since it's one of the most
emotional and complex experimental records this year.
Tomas Slaninka
Tuesday 9 August 2011