review
FathersOnHolyGore
'Catch Me Daddy' [film review excerpt]
Not only is the cinematography excellent, the score from first timers Matthew Waston (a.k.a Matthew Wolfe) and
Daniel Thomas Freeman is wild. Whereas a few scenes contain popular music, it’s the music Watson and Freeman add
that helps make so many of the scenes chug along filled with adrenaline, fear, and suspense respectively. When
Laila is first forced to flee the caravan where she and Aaron hide, the frenetic music propels the entire film
forward, and it prepares us for a chaotic cat-and-mouse thriller.
FathersOnHolyGore
Monday 11 April 2016